{"id":294,"date":"2018-11-24T03:31:53","date_gmt":"2018-11-24T03:31:53","guid":{"rendered":"http:\/\/mrexhibition.net\/pharmakon\/?p=294"},"modified":"2018-11-25T00:22:29","modified_gmt":"2018-11-25T00:22:29","slug":"%e4%ba%ac%e9%83%bd%e6%96%b0%e8%81%9e11%e6%9c%8824%e6%97%a5%e6%9c%9d%e5%88%8a-%e7%be%8e%e8%a1%93-%e3%80%8c%e3%83%95%e3%82%a1%e3%83%ab%e3%83%9e%e3%82%b3%e3%83%b3ii%e3%80%8d","status":"publish","type":"post","link":"http:\/\/mrexhibition.net\/pharmakon\/?p=294","title":{"rendered":"\u4eac\u90fd\u65b0\u805e11\u670824\u65e5\u671d\u520a-\u7f8e\u8853-\u300c\u30d5\u30a1\u30eb\u30de\u30b3\u30f3II\u300d"},"content":{"rendered":"

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\n(La traduction d’article en fran\u00e7ais en bas)<\/p>\n

\"\"<\/a><\/p>\n

\u00ab Pharmakon \u00bb est un terme d\u2019origine greque, d\u00e9signant la double signification : poison et rem\u00e8de. Dans l\u2019histoire humaine, nous avons d\u00e9couvert de nombreuses substances qui fonctionnent comme m\u00e9dicament dans l\u2019usage appropri\u00e9 mais aussi qui peuvent causer un effet n\u00e9gatif, voire m\u00eame poison dans l\u2019usage \u00e0 l\u2019exc\u00e8s. Le poison n\u2019est un simple \u00e9l\u00e9ment \u00e0 exclure, mais il joue souvent un r\u00f4le indispensable pour notre vie.<\/p>\n

L\u2019exposition \u00ab Pharmakon II \u2013 l\u2019harmonie dissonante d\u2019art\/poison\/corps \u00bb nous permet de refl\u00e9chir sur cette nature ambigu\u00eb de poison. Con\u00e7ue par Miki Okubo, curatrice-artiste, l\u2019exposition montre aussi le travail de J\u00e9r\u00e9my Segard, florian gadenne et Akira Inumaru. Toute la dur\u00e9e de l\u2019exposition, l\u2019\u0153uvre de florian gadenne intitul\u00e9e \u00ab tour bab\u00e9lienne \u00bb continue \u00e0 s\u2019\u00e9voluer. Inspir\u00e9e par \u00ab Tour de Babel \u00bb de Brugel et Inferno de Botticelli, la tour s\u2019\u00e9levant vers le haut s\u2019habille des organes, dit \u00ab sains \u00bb et celle descendant vers le bas habit\u00e9e par des \u00e9l\u00e9ments \u00ab pathog\u00e9niques \u00bb. La zone de rencontre de ces deux derniers telles diff\u00e9rentes activit\u00e9s de phages, s\u00e9cr\u00e9tions et mutations minutieusement et dynamiquement remplit la toile. Nous sommes \u00e9galement surpris par l\u2019ensemble des images de microorganismes expos\u00e9es dans son lieu de travail comme \u00ab atlas \u00bb, ainsi que son univers.<\/p>\n

Akira Inumaru, artiste bas\u00e9 \u00e0 Rouen et Paris, pr\u00e9sente la nouvelle s\u00e9rie \u00ab Pharmakon \u00bb o\u00f9 avec une loupe distillant les rayons solaires, il brule des illustrations transcrites depuis l\u2019encyclop\u00e9die des plantes m\u00e9dicinales \u00e9dit\u00e9s au Moyen Age comme s\u2019il juxtapose la lumi\u00e8re d\u2019aujourd\u2019hui sur celle du Moyen Age. Son travail montre une complexit\u00e9 visuelle \u2013 couches de papiers brul\u00e9s, images des plantes couvertes par l\u2019ombre de la racine.<\/p>\n

J\u00e9r\u00e9my Segard, exposant une installation de textile us\u00e9, questionne sur l\u2019exc\u00e8s de la st\u00e9rilisation et le processus de la blanchisserie vus souvent dans les \u00e9tablissements m\u00e9dicaux. Il montre ainsi l\u2019ensemble de dessins pr\u00e9paratoires concernant la question sur l\u2019espace vert. Miki Okubo mettant en lumi\u00e8re l\u2019acte de \u00ab manger \u00bb, pr\u00e9sente des pains faits \u00e0 partir de la levure cultiv\u00e9e, c\u2019est-\u00e0-dire, sans utiliser la levure industrielle. Elle nous invite \u00e0 r\u00e9fl\u00e9chir \u00e0 ce que nous mangeons, comment nous devons l\u2019\u00e9quilibrer, ainsi que ce qui est la nourriture qui peut \u00eatre un rem\u00e8de ou un poison.<\/p>\n

Chaque artiste joue sa propre po\u00e9sie afin de d\u00e9chiffrer un monde s\u2019opposant \u2013 double signification qui s\u2019\u00e9chappant du discours dualisme, pour r\u00e9ussir \u00e0 mieux percevoir notre monde bas\u00e9 sur une \u00e9cologie complexe.<\/p>\n

Akiko Kasuya, Professeur des Beaux-Arts de la ville de Kyoto
\n(traduction Miki Okubo, florian gadenne)<\/p>\n","protected":false},"excerpt":{"rendered":"

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